Hello all, welcome to this week’s edition of Unleash the Fanboy’s Weekly Comic Reviews, I’m your host, Daniel Alvarez. It’s a lighter week than usual, but it’s really all about which comics, right? We even have a graphic novel review in here. Let’s begin.
The Darkness #105
The thing that works so well in this script is the fact that it revels in the guts of the story. After last month’s issue I wasn’t sure how much further this tale could twist and turn before series writer David Hine would stop what he’s doing and change pace. But rest assured he went even further this time, giving this opening story arc a twisted send-off worthy of the comic book. My only gripe in this issue is the fact that I wish there would have been some level of closure by the final page or even some answers given considering that this issue is the concluding piece of this opening story arc.
With a better focus on the art and setting, Glory #28 opens up more to new readers, whilst still giving dedicated followers a lot to read and look forward to. In short, Glory #28 shows all the strengths of the title, taking its rich, unique setting and making the most through stunning visuals. If you don’t mind being a little confused, new readers are sure to find lots to love.
Once again, Saga #5 demonstrates why the series is so successful. A rich and detailed universe, Saga #5 cuts no corners in demonstrating as much as possible, all whilst keeping a deep and emotional plot at its core. Once again, I’m hungrily craving the next issue.
A hilarious adventure, Skullkickers #16 is a fantastical issue, with plenty of humor, artwork and action to suit everyone’s tastes. In short, Skullkickers #16 is both an excellent example of storytelling and a prime source of humor in comic book form. With riffs on pirates, fantasy tropes and everything in between, Skullkickers #16 is worth a read for anyone who appreciates a laugh.
A 78 year-old man, who was once an enforcer in Las Vegas has been brought back into play after 30 years of self-imposed exile. Sunset may be just another rendition of a revenge narrative, but it’s an extremely fun read that’ll keep you glued to the final panel. From start to finish this book holds nothing back as our main character delivers punches and gunshots galore.
As with most annuals this tale is not essential. It offers a history lesson in the life of Jennifer Blood that succeeds in yielding a deliciously violent narrative, as the script covers all the habitual tendencies of the main series. It’s not perfect nor is it necessary, but it’s still is a fun little read.
It goes without saying that since the world is eagerly anticipating what may or may not happen in December we will see movies, TV shows, video games and comics all cash-in and play with the idea of this possible global cataclysm on the horizon. This crossover from Dynamite is no different. It uses the idea of the end of the world to set itself up and despite the inherent cornball nature of the story, it also yields a rather fun and engaging narrative.
Form the rough seas to the ferocious shores, Eric Trautmann does a good job allowing the story to flow naturally. Characters are lively and fun to read, and in the thick of battle the dynamic strength of our heroine comes to the forefront in a way that is undeniably pleasing. There are however some minor moments where the script feels slightly bogged down by extended narration. In short the story is simple, it’s not too deep but it is an exciting read. If you’re in the market for a good adventure book Red Sonja #67 might just be for you. Recomended.
In what can readily be described as a mixed bag, the script by series writer David Liss has both good and bad moments. The design of the comic needed a stronger foundation to justify the conclusions and interactions therein, rather than a series of conversations that come off as a bit robotic and unfeeling. Overall the narrative is a solid enough engine but it’s the parts inside that ultimately let the issue down.
Vampirella #19 is an engaging read that will more than likely leave fans thirsty for more. Despite some artistic and narrative drawbacks this issue does succeed in offering readers a fun ride. It’s by no means great, but it’s good enough to get recommended.
Warlord of Mars: Dejah Thoris #13 is the worst kind of comic book. It gives the whole industry a bad name. It’s essentially porn. You see the get-up she’s wearing on the cover? That’s more than she ever wears inside the book. If you’re going to buy this book, fine, just don’t delude yourself into thinking it’s because the story is good.
Never one to shy away from a cross-over, IDW’s Danger Girl G.I Joe #1 looks like it could be one of the more interesting. With two titles with similar themes, there’s certainly a lot of potential. In short, this is a very reasonable opening issue. As cross overs go, this combination certainly looks to make a lot of sense, offering a great amount of potential for future issues.
As the title suggests, G.I Joe Cobra focuses heavily in the rivalry between Cobra and the Joe’s. However, this title demonstrates this through the more sinister nature and subterfuge of the franchise. There aren’t any flashy combat sequences. Its a very modern approach to G. I Joe, offering an updated aspect.
Apparently the real band KISS has a long association with comic books. I was unaware of this, and all other aspects of KISS fandom, but I enjoyed Chris Ryall‘s story nonetheless. Comics built around real people in fictional stories often feel shoehorned together, and, while that is somewhat true here, the plot is pretty strong. The character interactions are also good, although it’s hard to tell the extent to which the characters from 1929 take on the personalities of the band members they become. The weakest element of the writing is the dialogue. It occasionally seems stiff, but more importantly, there’s too much of it.
A definite mixed bag, the Star Trek / Doctor Who cross over certainly has a lot to offer. With Star Trek Doctor Who Assimilation 2 #3, there is a lot to take in. Whether your a star trek fan or a doctor who fan, there’s plenty to appreciate. Of course, if you’re a fan of both, then there’s even more to enjoy.
This week, its hard to review the sections of 2000AD #1791 fairly. With plenty of good material, all eyes are likely on the final chapter in the Nikolai Dante saga. Its this chapter, above all, that stands out in this issue. Partially because of its long, extensive run in 2000AD, but also because it is none the less an effective ending that captures the heart of the series, and the creativity that has graced the pages of the magazine as a whole.
S#!T Talking Central